Thread:EpsilonMk46/@comment-30953185-20171227001805/@comment-31789809-20171227005536

Well, I'm not gonna explain all of them, but the ones I feel are the most important.

I Love Lincoln: An overrated story that mistakens Loudcest for a drug induced gang rape.

Syngenesophobia: I feel that the only reason it's so renown is because it was written when alternate endings for BITF were basically a super cheap way to help you gain popularity. I'll just give you a piece from one of my reviews.

1. The fact that you let too much ride on your headcanon towards the inner thoughts of the characters. No matter how well thought out it is, no matter how much it makes sense it makes, it cannot be denied that the inner troubles you believe that the sisters have within themselves is nothing but your headcanon. Not only that, but you also seem to rely too much on the fact that the reader will agree with your headcanon or not because you seem confident enough to make it the groundwork of the inner conflict of the characters. Granted, your theories actually do make a lot of sense for the most part, but let's propose that there is someone reading this story who doesn't agree with your headcanon. Now the question that arises is this: if someone doesn't like the way you are handling your portrayal of the inner conflicts of the sisters, what are they left with to fall back on? This is the risk you run with how you are deliberately pushing Lincoln's phobia to the side the way you do: if you take the chance with an aspect that is subjective enough to where not everyone will go along with it and make it a core part of one side of your story and not give the other side any, or not enough, development, then they will have nothing to fall back upon and thus are left disappointed and dissatisfied while everyone else who does go along with your headcanon leaves them behind. 2. Your desire to make the sisters the main focus while leaving Lincoln's phobia as a B-plot. As I mentioned before, I actually do agree that everyone should be explored and I can see where you are coming from with wanting to explore the psyche of the sisters and not just Lincoln. However, your line of reasoning works both ways in that one can also say that if everyone should be explored, Lincoln should also be a part of that equation. I.e., there should also be focus on Lincoln as well as the sisters in order to keep everything level. I know you technically did show him in chapters 14 and 18, but compared to the 10 chapters that the others got, those two about Lincoln seem pretty shallow when you put them side by side. And even if you decide to give him a big session near the end, I still think that the damage has been done seeing as how the sisters are already batched together with their sessions and Lincoln's will seem like it's drifting along for the ride all on its own. The key is balance; there must be equal amount of screen-time and focus for each and every party involved. That way, we will be allowed a much deeper perspective into your world that you are putting forth. I mean, you are telling us that Lincoln is having all sorts of these nightmares and your first showcase of them in Ch. 14 was a step in the right direction; so do more of that as I'm sure there were lots of others that are worthy of attention.

Mall Rats: Perfect blend of comedy, heart, and in-character performance.

Laney in the Loud House: There's something about Laney that grabs me...I don't even know what it is.