Board Thread:General Discussion/@comment-34904882-20170918212355/@comment-34904882-20171012110308

FirstDrellSpectre wrote: 1. Alec Schwimmer wrote the most heartwarming episodes - For Bros About to Rock, Changing the Baby and A Novel Idea. Dance Dance Resolution has an interesting plot, new characters and happy ending. I don't like Get the Message, becuase this ep gave me impression that Lori is supposed to be main antagonist of the show and she learned nothing in this ep, she thought that overeacting and threatening for petty things are ok. I also don't like Out on the Limo, because he made Lincoln an insufferable jerk. Chore and Peace is jsut gross and Making the Grade is mainly unfunny running gag of Lisa refusing to help and telling Lincoln told her to, this episode is one of the worst example of moral "be yourself". I appreciate his part in story of Out of the Picture. His last good work was Old and the Restless due to cute relationship between granddad and grandson and interesting plot. Undie Pressure has interesting plot and gave Lola redeeming qualities, but I'll never like trope of the sisters united against Lincoln.

2. Sammie Crowley and Whitney Wetta know how to construct interesting plot in episodes Fool's Paradise, Suite and Sour, Toads and Tiaras, A Tattler's Tale, 11 Louds a Leapin, Relative Chaos, Room with a Feud. Their most heartwarming eps are Toads and Tiaras, A Tattler's Tale, 11 Louds a Leapin, Relative Chaos and Room with a Feud. Sleuth and Consequences has an interesting parody of investigation, but this ep made most of the sisters very unlikable like they forgot lesson about tolerance in Undie Pressure, analogies to skinheads bullying bronies. Cheater by the Dozen and was predictible from the start, Lynner takes All shows Lynn's worst traits for 90% of the episode and her development is too little and too late. Kick the Bucket List is their most boring episode and in Girl Guru Lincoln became so dumb and got what he deserved. April Fools Rules and Fools's Paradise almost made me hate Luan, who in both episodes regrets nothing and learns nothing, but I admit both eps had interesting plot twists.

3. Kevin Sullivan initially wrote many episodes with nothing but violence as comedy like Sweet Spot, One of the Boys and Brawl. One of the boys is one of his worst creations, because he insults boys with such gross stereotypes and he wasted potential of rule 63. Brawl was a very controversial episode dute to violence and idiot plot and making all out of characters, moral "mind your business" was exected very poorly. After Brawl he didn't write bad episodes anymore. In season 1 he wrote very heartwarming Attention Deficit and A Fair to Remember. The waiting game has heartwarming ending and gave Lori character development, but this is overshadowed by Lincoln's manipulations. House Music is a good episode, but not my favorite. In season 2 he knew how to show bond between Lana and Lincoln. Job Insecurity has an interesting plot. Pets Peeved is heartwarming, but it's a copy of Secret Life of Pets, what is a copy of Toy Story. Health Kicked is a reversed version of the Loudest Yard. Vantastic Voyage painted Lynn Sr. as very usympathetic jerk, it's his version of Out on the Limo. No Laughing Matter was predictible and didn't redeem Luan after Fool's Paradise like Funny Business did after April Fool's Rules. L is for Love is overrated, because it just introduces 10 love interest and doesn't develop them, the plot is just a mess and it doesn't have real ending, the story is simply unfinished. L is for Love and One of the Boys would be executed better if they were twice longer.

4. Karla Sakas wrote most episodes with wasted potential. Making the Case could have been about Lincoln discovering his life path, but instead it's an episode about cyberbullying. Linc or Swim is mostly a filler, the plot is uninteresting and Lincoln is forced to be painted as the bad guy, the girls don't learn they misbehave and think it's ok. Two Boys and the Baby could focus on Lincoln spending time with Lily and bonding with her, but instead it shows awful baby sitting cliche comedy with toilet humor, a waste of time. Save the Date shows Lori as an overreacting psycho and she thinks it's ok from beginning to end, she doesn't care about anything but dating Bobby, who had a very stupid rule. Clyde's pathetic sabotage takes too much screentime and the jerk classmates never get suffer any consequences. The titular date and buling bond between Linc and Ronnie last only 4 minutes for 11. Patching Things up was good development for Lola and Lana, but the biggest mistake were Clyde and Lincoln's subplot which was a needless filler, what lowers quality of the episode. No Such Luck gives a strong message about lying, but instead of causing controversies, it could finally give Lynn a development and teach her to not rely on superstitions and to not blame others for own failures, this ep made Lynn very unsympathetic, parents also suffered loss of popularity. Change of Heart could finally make Clyde get rid of his worst and annoying trait, obsession on Lori, but instead Clyde is flanderized up to 11, like Lori obesession was his only trait now. Like 2 boys and the baby it was a waste of time. However she did wrote heartwarming episodes Driving Miss Hazy and Along Came a Sister to develop Leni. Roughin It and Baby Steps and Pulp Friction showed cute bonds between Lincoln and his sisters. Funny Business saved Luan after April Fools Rules and introduced new popular character Maggie, Homespun was one of the few episodes with no conflict and it was heartwarming, Shell Shock developed bond between Linc and Ronnie but my only issue is Ronnie not realising Lincoln had bad opinion about her because she was acting at school very recklessly. Friend or Faux is arguably her biggest success because it gives Lisa true development and has a strong message about friendship. Karla knows how to give strong messages like in Raw Deal about not living in constant fear, but is a hard way the only way to learn it.

5. Eric Acosta doesn't write anything original except for Future Tense with strong message. Party Down is Lori's version of Overnight Success, Back Out There was good, but predictible. Worst predictible was Arggh you for real. Back out there was enjoyable but predictible. What about the other four writers?